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Art, Conservation, Science. The Lancellotti Collection Project
Eds. M. Barbanera & A. Freccero. (The Swedish Institute in Rome. Projects and Seminars, 3:1), Rome 2005
© The Swedish Institute in Rome and individual authors.
ISSN 1824-7725

CONTENTS

Cover

Barbro Santillo Frizell - Preface

Marcello Barbanera, Agneta Frecero - Introduction

Daniela Candilio - Tutela e conservazione della collezione di Palazzo Lancellotti ai Coronari

Ellen Skånberg - The Palazzo Lancellotti Courtyard, Use and Concept

Hedvig Landenius Enegren - The Lancellotti Collection, Background and History, Preliminary Considerations

Daniela Candilio - Le statue virili nude del prospetto principale del cortile

Marcello Barbanera - I sarcofagi

Massimiliano Papini - I busti antichi

Agneta Freccero - The Large Mask, Technical Description

Marina Prusac - The Large Mask

Agneta Freccero - Recreating the Antique, Four Statues at the West Wall

Marina Prusac - The Statue Heads

Astrid Capoferro - Le iscrizioni del lato ovest del cortile. Uno studio in corso

Alessandro Danesi, Silvia Gambardella - Materials and Techniques Used in the 17th Century Restoration of Sculptures from the Antiquities Collection of the Palazzo Lancellotti ai Coronari

APPENDICES

Susanna Bracci, Fabio Fratini, Anna Maria Mecchi - Studio dei materiali di incollaggio e stuccatura della statua di eroe appartenente alla collezione di Palazzo Lancellotti ai Coronari, Roma

Susanna Bracci, Fabio Fratini - Relazione finale delle analisi relative alla statua di Cassius appartenente alla collezione di Palazzo Lancellotti ai Coronari, Roma

Susanna Bracci, Fabio Fratini - Campioni aggiunti, gennaio 2005

Seminars at the Institute

Research Seminar

Thursday January 16, 17.00

Dan Diffendale (American Academy in Rome): Rethinking Tuff in Regal and Republican Rome.

Abstract:
Did early Roman builders looking for cut stone turn to the most readily available sources, which could be quarried below their feet, or seek it from more distant sources capable of providing more suitable stone? What role did river transport play in selecting building stone at Rome? And what was the relative contribution of state- vs. privately-held quarries? I address these questions and sketch out the goals and methods of the QUADRATA (Quarry provenience and Archaeological Dating of the Roman-Area Tuffs in Antiquity) Project.

 

WELCOME!

 

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